questions arise, and diminish, in a process.

while composing, at different points of the process different questions, often only a single one, arises, and asks for answer. how is this group of tones related to that one. is there a rule, or perhaps better, a mode, a way to shape, for the nervous movement of these tones. what is the harmony here, and how it it related to the harmony there. which time needs this pause, what is the duration of this form section, and much more. questions like these are not put as if they already exists in a list or form, but they arise in a certain context, not being known before. this makes them real.

if the questions are isolated from this context, they become abstract. they become hypostases, separated from a particular point of matter, separated from a body which always moves. the question for the sense of life is such an abstraction, at least when it is put in a situation in which another question actually arises, for instance pointing to a disappointment or a lack of satisfaction.

questions are to be discovered and to be developed. they are not simply there, as if they were goods in a warehouse. a good question, at a certain point, as precious, and should be appreciated with care.